Skill Scene Headings: Автоматизация форматирования сценариев и фильмов

--- name: scene-headings wtfbId: wtfb:scene-headings description: | This skill provides Fountain scene heading formatting rules and conventions. Covers INT/EXT prefixes, location naming, time of day indicators, continuous scenes, and establishing shots. Use when: creating new scenes, formatting scene headings, managing location consistency, or organizing scene structure in Fountain format. --- # Scene Headings Skill ## Invocation Triggers Apply this skill when: - Creating new scenes - Formatting scene headings - Managing location consistency - Organizing scene structure ## Scene Heading Format ### Standard Structure ``` [INT/EXT]. [LOCATION] - [TIME OF DAY] ``` ### Interior/Exterior Prefixes | Prefix | Meaning | Usage | |--------|---------|-------| | `INT.` | Interior | Indoor scenes | | `EXT.` | Exterior | Outdoor scenes | | `INT./EXT.` | Both | Moving between (car scenes) | | `INT/EXT` | Both | Alternate format | | `I/E` | Both | Abbreviated format | | `EST.` | Establishing | Establishing shots | ### Time of Day Options | Time | Usage | |------|-------| | `DAY` | Standard daylight | | `NIGHT` | Standard nighttime | | `MORNING` | Early day, specific | | `AFTERNOON` | Mid-day, specific | | `EVENING` | Late day before dark | | `DAWN` | Sunrise | | `DUSK` | Sunset | | `CONTINUOUS` | No time break from previous | | `LATER` | Same location, time passed | | `MOMENTS LATER` | Brief time passage | | `SAME` | Same time as previous scene | ### Examples ```fountain INT. COFFEE SHOP - DAY EXT. MOUNTAIN ROAD - NIGHT INT./EXT. CAR (MOVING) - CONTINUOUS INT. SARAH'S APARTMENT - MORNING EXT. CITY STREET - LATER INT. HOSPITAL ROOM - SAME ``` ## Location Best Practices ### Naming Conventions - Use consistent names throughout script - Be specific: "JOHN'S APARTMENT" not just "APARTMENT" - Include relevant modifiers in parentheses ### Location Modifiers ```fountain INT. CAR (MOVING) - DAY INT. CAR (PARKED) - NIGHT INT. WAREHOUSE (ABANDONED) - DAY EXT. HOUSE (ESTABLISHING) - DAY INT. PLANE (IN FLIGHT) - NIGHT ``` ### Sub-locations ```fountain INT. JOHN'S APARTMENT - LIVING ROOM - DAY INT. JOHN'S APARTMENT - BEDROOM - CONTINUOUS INT. HOSPITAL - HALLWAY - NIGHT INT. HOSPITAL - SARAH'S ROOM - CONTINUOUS ``` ## Special Scene Headings ### Flashbacks/Flash-forwards ```fountain INT. CHILDHOOD HOME - DAY (FLASHBACK) INT. CHILDHOOD HOME - DAY (1985) EXT. CITY STREET - DAY (TWENTY YEARS EARLIER) INT. OFFICE - DAY (FLASH-FORWARD) ``` ### Dream/Fantasy Sequences ```fountain INT. SURREAL LANDSCAPE - NIGHT (DREAM) INT. PALACE - DAY (FANTASY) INT. SARAH'S MIND - TIMELESS ``` ### Forcing Non-Standard Headings Use `.` prefix to force any line as scene heading: ```fountain .MONTAGE - SARAH'S TRAINING .FLASHBACK SEQUENCE .SERIES OF SHOTS .INTERCUT - PHONE CONVERSATION ``` ## Scene Numbers ### Format ```fountain INT. HOUSE - DAY #1# INT. HOUSE - NIGHT #2# INT. GARDEN - DAY #2A# ``` ### Usage Guidelines - **Spec scripts**: Do NOT include scene numbers - **Shooting scripts**: Include scene numbers - Numbers appear at both margins in output - Use letters for inserted scenes (#2A#, #2B#) ## Common Patterns ### Continuous Action ```fountain INT. HALLWAY - DAY Sarah runs down the corridor. INT. STAIRWELL - CONTINUOUS She bursts through the door, taking stairs two at a time. EXT. PARKING LOT - CONTINUOUS Sarah emerges into bright sunlight. ``` ### Intercut Scenes ```fountain INT. SARAH'S APARTMENT - NIGHT Sarah paces, phone to ear. INT. JOHN'S OFFICE - SAME John sits at his desk, phone in hand. INTERCUT - PHONE CONVERSATION SARAH We need to talk. JOHN I'm listening. ``` ### Montage ```fountain .MONTAGE - SARAH'S INVESTIGATION INT. LIBRARY - DAY Sarah pores over old newspapers. EXT. COURTHOUSE - DAY Sarah photographs documents. INT. BAR - NIGHT Sarah interviews an old man. .END MONTAGE ``` ## Validation Checklist - [ ] Prefix is INT., EXT., or valid variant - [ ] Location is specific and consistent - [ ] Time of day is included - [ ] Special scenes are properly forced with . - [ ] Scene numbers only on shooting scripts